Our
Auditions
Are you a high school student with a passion theatre? Auditioning for our Rising Stars theatre program is the perfect to showcase your talent and take your skills to the next level. Our friendly and professional team of instructors will guide you through the audition, providing valuable feedback and support along the way.

Newsies Auditions
Newsies is a high-energy Disney musical inspired by the real-life Newsboys Strike of 1899 in New York City. Featuring a Tony Award-winning score by Alan Menken and Jack Feldman, the show centers on Jack Kelly, a charismatic newsboy who rallies a ragged band of "newsies" to strike against unfair publishing giants. Celebrated for its explosive, athletic choreography, the musical explores themes of youth activism, solidarity, and fighting for justice.
Auditions: November 2nd & 3rd
Callbacks: November 4th & 5th
Audition Process
PREPARE YOUR ACTING/SINGING AUDITION
1. Prepare 16 -32 bars (appx. 30 sec-1 min) of a song of your choice.
-Please bring an accompaniment track (music track with instrumental only – no vocals).
-Sing any song you like that you feel best represents your vocal abilities.
-Consider the style of music in the show and/or the character you feel suits you best.
2. Prepare a one-minute monologue from the NEWSIES MONOLOGUE SELECTIONS HERE.
SIGN UP FOR AN AUDITION SLOT
Sign up for your preferred audition time.
-Auditions slots will be offered as individual 3 minute time slots.
-You must check in for your audition at least 15 minutes before your time slot, so please choose your time wisely.
PREPARE THE AUDITION PAPERWORK
Download, print and fill out the following:
Audition Application Form
completed at home with Actor’s & Parent’s signature
Conflict Calendar
completed at home with Actor’s & Parent’s signature
Actors are allowed NO MORE THEN 5 conflicts
Copy of Grades
*Optional* Résumé of Acting Experience- Write on the back of your Audition Application form, or use your own template and attach to your application
PREPARE YOUR DANCE AUDITION
Practice the audition dance at home.
Learn the audition dance on your own to the best of your ability. Video will be posted on the audition page of the Rising Stars website by October 26th.
COMPLETE YOUR AUDITION
It’s audition time!
Acting/Singing Auditions
Acting/singing auditions will take place on Monday Nov. 2nd. You must sign up for a 3 minute audition slot.
Please arrive at least 15 minutes before your audition time to check in.
-At check in, you will get your audition number, turn in your audition paperwork and have your photo taken.
You will go into the room one at a time to do your audition for the casting directors.
The callback list will be posted on the Rising Stars website no later than 9pm on Monday May 18th.
Dance Auditions
Dance auditions will take place on Tuesday Nov. 3rd.
All auditioners are required to complete the dance audition.
Learn the audition combination ahead of time by accessing the video on our website and come dressed to dance.
Some dancers may be asked to stay and learn and additional combo and/or show special skills.
ATTEND YOUR CALLBACK
The final step! It’s time for call backs…
-Callback times for each character will be included on the Call Back Sheet posted immediately after auditions.
-Please carefully read over the full callback list- you may be asked to come in at multiple times for multiple characters.
-Callback material will be available on the website.
-Callback sides do not need to be memorized.
-Please arrive at least 10 minutes early for your call back slot to allow
time for check in.
-HAVE FUN! The directors want to work with actors who are kind, collaborative and respectful. Do your best, but don’t forget it’s a PLAY…keep that sense of play in your callbacks and make big choices!
CAST LIST
The waiting, the waiting, the WAITINNNNNG!
-The cast list will be posted on the website by 8pm on Saturday November 7th.
-Our first rehearsal will be Monday November 9th
Crew Applications can be found HERE or in LG104
Applications are due OCTOBER 26TH for lead crew and NOVEMBER 2nd for all others.
Crew Applicaions
Audition Process
PREPARE YOUR ACTING/SINGING AUDITION
1. Prepare 16 -32 bars (appx. 30 sec-1 min) of a song of your choice.
-Please bring an accompaniment track (music track with instrumental only – no vocals).
-Sing any song you like that you feel best represents your vocal abilities.
-Consider the style of music in the show and/or the character you feel suits you best.
2. Prepare a one-minute monologue from the NEWSIES MONOLOGUE SELECTIONS HERE.
SIGN UP FOR AN AUDITION SLOT
Sign up for your preferred audition time HERE.
-Auditions slots will be offered as individual 3 minute time slots.
-You must check in for your audition at least 15 minutes before your time slot, so please choose your time wisely.
PREPARE THE AUDITION PAPERWORK
Download, print and fill out the following:
-Audition Application Form (completed at home with Actor’s & Parent’s signature)
-Conflict Calendar (completed at home with Actor’s & Parent’s signature. Actors are allowed NO MORE THEN 5 conflicts)
-Copy of Grades
*Optional* Résumé of Acting Experience- Write on the back of your Audition Application form, or use your own template and attach to your application
PREPARE YOUR DANCE AUDITION
Practice the audition dance at home.
Learn the audition dance on your own to the best of your ability. Video will be posted HERE by October 26th.
COMPLETE YOUR AUDITION
It’s audition time!
Acting/Singing Auditions
-Acting/singing auditions will take place on Monday Nov. 2nd. You must sign up for a 3 minute audition slot.
-Please arrive at least 15 minutes before your audition time to check in.
-At check in, you will get your audition number, turn in your audition paperwork and have your photo taken.
-You will go into the room one at a time to do your audition for the casting directors.
-The callback list will be posted on the Rising Stars website no later than 9pm on Monday May 18th.
Dance Auditions
-Dance auditions will take place on Tuesday Nov. 3rd.
-All auditioners are required to complete the dance audition.
-Learn the audition combination ahead of time by accessing the video and come dressed to dance.
-Some dancers may be asked to stay and learn and additional combo and/or show special skills.
ATTEND YOUR CALLBACK
The final step! It’s time for call backs…
-Callback times for each character will be included on the Call Back Sheet posted immediately after auditions.
-Please carefully read over the full callback list- you may be asked to come in at multiple times for multiple characters.
-Callback material will be available on the website.
-Callback sides do not need to be memorized.
-Please arrive at least 10 minutes early for your call back slot to allow
time for check in.
-HAVE FUN! The directors want to work with actors who are kind, collaborative and respectful. Do your best, but don’t forget it’s a PLAY…keep that sense of play in your callbacks and make big choices!
CAST LIST
The waiting, the waiting, the WAITINNNNNG!
-The cast list will be posted on the website by 8pm on Saturday November 7th.
-Our first rehearsal will be Monday November 9th
Crew Applicaions
Crew Applications can be found HERE or in LG104
Applications are due OCTOBER 26TH for lead crew and NOVEMBER 2nd for all others.
Character Descriptions
Newsies Role Descriptions
About the accents: Students who watch the movie or listen to the Broadway soundtrack will notice that many characters speak with a New York accent. Actors are welcome to use an accent when they audition, but it is not required. Because the characters in the story can be portrayed as coming from a variety of places in America and beyond, we will decide on each character’s “voice” (including accent) for performance once the roles are cast.
About role genders: You will notice that many roles are listed as “male OR female playing male.” Roles in this show are overwhelmingly male characters because this story is based on an actual historical event, and nearly all newsies and political figrues were male. We will still be costuming all newsies as “boys,” but most roles (as noted below) are available for performers of any gender.
THE NEWSIES
JACK KELLY (male, strong vocals, some dancing, stage combat)
The charismatic leader of the Manhattan newsies, is an oprhaned dreamer and artist who yearns to get out of the crowded streets of New York and make a better life for himself out West. Fiercely protective of his friends and strongly loyal, Jack isn’t afraid to use his voice to attain better conditions for the working kids of New York City. Though living on the streets has given him a tough-guy exterior, Jack has a big heart and can demonstrate a sweet vulnerability.
DAVEY (male OR female playing male, strong vocals, some dance)
Les’s straight-laced, bright big brother starts selling newspapers to help his family earn a living, but becomes swept up in the fervor of the strike. A leader in his own right who is learning to use his voice to uplift others, Davey is the brains of the resistance.
LES (male OR female playing male, playing age: 10 years old, featured dancer)
Davey’s cheeky little brother, is inspired by the freedom of the newsies and loves their independent lifestyle. A precocious and natural newsie, Les is an intuitive salesboy and a pint-sized charmer.
CRUTCHIE (male OR female playing male, strong vocals, character dancing feature, stage combat)
A dedicated newsie with a bum leg that’s painful, but helps sell more papes. Though he walks with the assistance of a crutch, Crutchie doesn’t let it define him; when in a jam, Jack Kelly’s best friend relies on a goofy-sweet sense of humor and optimistic resilience. Crutchie is the heart of the newsies’ resistance. The performer in this role must be able to dance enthusiastically in character while still physically portraying Crutchie’s “bum” leg.
OTHER NEWSIES (male OR female playing male, solos, lines, lots of dance, stage combat)
The core group of newsies who work the same neighborhoods as Jack, Crutchie, Davey, and Les, these hard-working kids function as a family that cares for and helps one another. Many of them are orphans, have families outside of NY who they send their money to, or have such poor families that they can’t live at home, so they become “roommates” with the other newsies as well as close friends. There are 14 newsies in Jack’s “Gang”: Albert, Buttons, Elmer, Finch, Henry, Ike, Jo Jo, Mike, Mush, Race, Romeo, Specs, Splasher, and Tommy Boy. Performers in these roles must create unique and specific characters with physical and vocal details that distinguish them from the other newsies. All roles have multiple lines and solos and/or dance features.
FRIENDS AND ALLIES OF THE NEWSIES
KATHERINE PLUMBER (Female, strong vocals, some dance)
An ambitious young reporter working hard to make a name for herself as a legitimate journalist in a time when women aren’t taken seriously. Quick, funny, and resourceful, she boldly captures the voice of a new generation rising in her coverage of the newsies’ strike. While she generally has no time for cocky, streetwise young men, she makes an exception for Jack Kelly.
MEDDA LARKIN (female, strong vocals)
Inspired by vaudeville performer Aida Overton Walker, this big-voiced saloon singer and star of the Bowery offers her theater as a safe haven for the newsies. An astute entertainer with great comic delivery, she’s a good friend to Jack and stands firmly behind the newsies in their fight for justice.
SPOT CONLON (male OR female playing male, featured dancer)
The proud leader of the Brooklyn newsies, boasts an intimidating reputation and an unforgettable swagger.
MR(S). JACOBI (male or female)
Allows the newsies to congregate in his(her) restaurant to plan their strike – when (s)he doesn’t have any paying customers, that is. This role may be played with an accent of the actors choice, and the character can be portrayed as a first-generation immigrant to NY.
STAGE MANAGER )(female or male)
The stage manager of Medda Larkin’s club and also the MC of her show, running the backstage area and introducing performers on stage. This performer must be able to switch from a practical, efficient stage manager personality to an energetic and entertaining ‘host of the show’ when they are ‘on stage’ at the club.
DARCY AND BILL male or female, some lines, some dance
Other publisher’s children who help Katherine break in to use the basement printing press to print the newsies’ paper. These actors will double in other roles.
MAYOR OF NEW YORK (male OR female playing male)
The Mayor of New York City rebuffs Pulitzer’s attempts to shut down the newsies’ strike. This performer will double in other roles.
GOVENOR TEDDY ROOSEVELT (male OR female playing male)
A well-respected lifelong public servant, inspires Jack to stand up to Pulitzer. This performer will double in other roles.
PULITZER AND HIS STAFF
JOSEPH PULITZER (male OR female playing male)
A pompous businessman through and through, owns the World (a major NY newspaper) and is concerned solely with the bottom line. Katherine’s no-nonsense father, Pulitzer doesn’t sympathize with the strikers, but he does eventually – and grudgingly – respect Jack.
WIESEL (male OR female playing male)
Or “Weasel,” runs the distribution window for the World and knows most of the newsies by name. Assisted by the intimidating Delancey brothers, who keep order by any means necessary, Wiesel is Pulitzer’s disgruntled paper-pusher, and requires an exaggerated, cartoonish vocal and physical performance.
OSCAR AND MORRIS DELANCY (male OR female playing male, stage combat)
Tough brothers who work at the distribution window for the World, take the side of the publishers in the strike and are known to use their fists to make a point. These roles require two performers who work together well with good comic timing, but can also be physically intimidating. Although they do not dance, these roles still require a strong physical performance with excellent self-control for stage combat sequences.
SEITZ (male OR female playing male)
An editor at the World who advises Pulitzer, but ultimately admires the newsies’ paper.
BUNSEN (male OR female playing male)
Pulitzer’s bookkeeper, comes up with the ideas to raise the newsies’ price per paper.
HANNAH (female)
Pulitzer’s practical and insightful secretary.
NUNZIO (male OR female playing male)
Pulitzer’s barber, who is trying to cut Pulitzer’s hair during the song The Bottom Line and the scene prior. This role requires a strong physical comedy performance. Italian accent optional.
SNYDER (male or female)
The crooked and sinister warden of The Refuge, a filthy and horrible orphanage, is concerned only with catching enough kids to keep his government checks coming. Though he doesn’t work for Pulitzer, he’s happy to team up with him to take down the newsies and get his hands on Jack. This role requires a strong physical and vocal character performance.
GUARDS (male OR female playing male)
The guards who throws Jack, Davey, and Les out of the building when they try to get in to see Pulitzer. These performers will double in other roles.
PHOTOGRAPHER (male or female)
Takes the triumphant photo of the newsies at the end of “Sieze the Day.” This performer will double in other roles.
SMALL ENSEMBLES
These are small group features with 4-10 in each ensemble. Additional features in dance, solos, and lines will be cast from among the ensembles.
BROOKLYN NEWSIES (male and female playing male, sing ensemble, dance feature0
Spot Conlon’s gang, the Brooklyn newsies are feared, admired, and respected by the other newsies city-wide. When they add their support to the strike in their feature number Brooklyn’s Here, they cause a waterfall effect that brings every other newsie in the city on board.
SCABS (male and female playing male, sing ensemble, some dance, some stage combat)
Newsies from other boroughs brought in to “break” the strike. Instead, they throw down their papers and become new members of Jack Kelly’s gang.
THE BOWERY BEAUTIES (female, sing ensemble, dance feature)
A small group of dancers who join Medda Larkin on stage. Vaudeville-style dancers, these performers must have strong, sharp dance skills, big facial expressions, and be strong singers.
NUNS (female)
A small group of nuns who offer free breakfast to hungry newsies. These performers must have strong singing voices and an ability to hold their melody while other performers sing counterpoint.
LARGE ENSEMBLES
Larger ensembles—most performers will be a member of at least one of these groups.
GOONS (male and female, stage combat)
Hired thugs that join the Delanceys to rough up the newsies at the end of Act I. Students in these roles must demonstrate excellent physical self control and strong physical acting.
POLICEMEN (male OR female playing male, stage combat)
Cops that show up during the strike riot. At first the newsies think the cops are there to help them, but the police join the fight on the Snyder’s side and begin arresting newsies and taking them away.
MANHATTAN, FLUSHING, RICHMOND, WOODSIDE, AND BRONX NEWSIES (male and female, sing ensemble, dance)
Newsies from every other corner of the city that assemble to join the strike.
KIDS AT THE REFUGE (male and female)
Other kids who are incarcerated at the Refuge along with Crutchie.
